Won’t You Stay, Radhika?

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After her widowed father marries a younger woman, Radhika’s world falls apart. She feels betrayed—the emotional and intellectual bond that she had forged with him since the early death of her mother breaks with that sudden marriage. To escape the unbearable situation at home—the growing rift between her and her father—Radhika moves to Chicago to pursue her master’s in fine arts. She returns to India two years later, burdened by a sense of alienation and homesickness, only to realize that while nothing had changed in her country, everything had. The family that she had longed to be reunited with barely acknowledges her arrival. The sense of belonging is missing, leaving her in ‘an emotional state of in-between-ness, of universal unbelonging’. As days pass, Radhika is paralysed with ennui, which tinges all her relationships—romantic or filial. So she lies on her takht, bored, immobile, uninspired…

An extraordinary chronicler of the inner lives of the urban Indian woman, Usha Priyamvada is a pioneering figure in modern Hindi literature. Won’t You Stay, Radhika?, first published in 1967, expertly explores the stifling and narrow-minded social ideals that continue to trap so many Indian women in the complex web of individual freedom, and social and familial obligation. Daisy Rockwell’s sensitive and skilful translation brings this poignant Hindi novel to a new set of readers.

Author's Name,
ISBN9789354475900
FormatPaperback
ImprintSpeaking Tiger
Pages184

Reviews

This is a story of a woman’s rite of passage, her choice, agency, and freedom—ideas that are still alien to a patriarchal society like ours. An essential read for our times, Won’t You Stay, Radhika? is an extraordinary discovery of human fallacies and, of course, the thing they call love.

Ipshita Mitra | The Federal

This book is an ode to women who aren’t limited by what society dictates but instead believe in defining their own being even if it comes at the cost of facing overwhelming realities.

The Hindu

This first-of-its-kind Hindi diaspora novel should be read for its woman protagonist whose life is not upended by her romantic partners but rather makes a comforting peace with a growing sense of ‘ennui.’

Kinshuk Gupta | Open Magazine

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